Harry Potter and the Half Blood Prince - A Review
If writing was a religion, it shall be easy to deem 'Harry Potter and the half-blood prince' as the penultimate blasphemy, an utmost sacrilege. A book that discredits its own magnitude, it is a joke in the Queens' English that bravely illustrates the argument for its painful ineptitude.
J.K. Rowling seems to have found the ostentatious airs of a billion dollar grandeur luxurious and tempting, and so overtly has this affected her capability as an author that after scraping off powerful authoritative fictional successes like "The order of the phoenix" and "The Goblet of Fire", she has downgraded her own standards of preferential fiction. "Harry Potter and the half-blood prince", ironically speaking, lacks the magic.
Rowling underscores maturity in her characters and this maturity seems to accompany an intricate and moodily interesting loss of realism. Or is it artistic failure? The dialogues come out as surrealistic even for a surrealistic world like Hogwarts. The book seems to be dependant more on the ratio of its popularity versus its compatibility as a novel. It lacks the individual integrity that places a novel in conjunction with what authors relate to as a total mortality in script; the aggressiveness and energy is averted thoroughly and Rowling seems to be postponing the ideas or concocting ideas that postpone the entire strength of the story-line to what we might perceive will be the subsequent edition. The book seems to be a mere pillar poising the life and breath of the seventh Potter venture. It fails to rejuvenate interest stirred by the earlier specimens, and has more of an exhausted inclination to incite sheer pity for a wasted six hundred pages and a gracious lot of unlimbered bucks.
The book is a disappointment in stages. Anti-climax seems to be the understatement for Rowling's ability. A suspense that harbored on for the past five books seems to have lost the vigor, discipline and focus in the recent book; spontaneity against extreme mystery and the urged justice to delineate a normal hero in paranormal tribulations consolidates what Rowling has in mind for a novel that clearly banks on endless monotony, plot defiance, theme-oriented experimentation, inexcusable character shortcomings, etc. Rowling seems to be playing under her limitations. She seems to be enjoying it, too.
As an author, fictional intercourse with a tension of idiosyncratic subjectivity, has never been Rowling's foremost area of expertise, but the novel convincingly projects the fact that six books old, Rowling still is astonishingly inept, even amateurish. Under the brutal alibi of 'Children's Literature', which the current novel typically and leisurely defies with tinges of what one might term minor profanity, the book passes clear of some very feasible errors in inventive description, a great mishandling of inklings of Gothic and the author's obvious paranoia.
Part Hardy Boys, part Mills and Boons, the gall of the novel surpasses a proper coherency. It works inside a sphere, a particular boundary of solid circumstances supported by bleak and irresistibly weak reasoning; Rowling plays 'safe' with a mass repetition of tried and hackneyed formulas, grossly iterating some of her very own. A prudery, least expected in a narrative of epic proportions.
Also, in an attempt to amuse, a slight assortment of new characters and new elements come into the picture - Rowling's classic technique of steady plot expansion - which again, seem to be hollow and unworthy, adding to a menacing negativity; the attempt seems to be directed at elevating the heroism, proof of her undying motive to sensationalize an ensuing successor to the series.
The book seems more or less a rape of a grand concept and verily, an atrocious, dismaying member of a so far satisfying pedigree. Readers are forewarned to anticipate still more pessimistically.
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Cressida Cowell, author and illustrator of the How to Train Your Dragon and The Wizards of Once series, as well as author of the Emily Brown picture books, has been named the new Waterstones children's laureate. The Waterstones Children's Laureate is managed by BookTrust, as the UK's largest children's reading charity, and sponsored by Waterstones.
She unveiled her new charter, stating that every child has the right to:
1. Read for the joy of it
2. Access NEW books in schools, libraries and bookshops
3. Have advice from a trained librarian or bookseller
4. Own their OWN book
5. See themselves reflected in a book
6. Be read aloud to
7. Have some choice in what they read
8. Be creative for at least 15 minutes a week
9. See an author event at least ONCE
10. Have a planet to read on
New library borrowing figures from the US show how far England is lagging behind other countries because of its facilities' falling book stocks, according to new analysis from library campaigner Tim Coates.
Using statistics from the Institute of Museums and Library Services, ex-Waterstones boss Tim Coates produced a chart showing English book loans have plummeted year-on-year since 2009/10 while American numbers remain relatively stable...
Lesley Nneka Arimah has won the 20th edition of the Caine Prize for African Writing for her short story 'Skinned'. The prize was launched in 2000, and is awarded annually to an African writer of a short story published in English. The winner receives UK£10,000 prize money, and each shortlisted writer also receives £500.
Arimah is also the author of the 2017 story collection What it Means When a Man Falls From the Sky
Publishers are holding their breath to see if President Trump's decision to postpone the imposition of 25% tariffs on $300 billion worth of goods imported from China will become permanent.
The new tariffs, which included books, were proposed this spring. But after meeting with China President Xi at the G20 conference this weekend, Trump agreed to delay any new tariffs as part of an effort to restart trade talks. In his speech, Trump said new tariffs have been delayed "for the time being."
After Angie Thomas requested that she not be tagged into negative reviews of her books on social media, she has received a torrent of abuse.
History has yet to find the book that is universally adored – or the author who enjoys reading bad reviews. While Angie Thomas has topped the charts and scooped up armloads of awards for her two young adult novels, The Hate U Give and On the Come Up, her recent request that book bloggers stop sending her their negative reviews saw her on the receiving end of a wave of vitriol....
At dozens of barbershops and laundromats across the United States, the sound of children reading aloud mingles with the buzz and snip from barbers' tools or the din of washers. Makeshift shelves and crates hold books featuring cartoon characters, stories about pigeons or the capers of superheroes.
This developing movement, supported by nonprofit groups, entrepreneurs, libraries and community fund-raising, is redefining the borders of traditional neighborhood public libraries by creating literary spaces in places where children find themselves with time on their hands.
It is bringing the book to the child, instead of the child to the book...
With concern in the library community continuing to grow over their ability to provide access to digital content, the Council of the American Library Association yesterday passed a resolution to ramp up its advocacy efforts—including taking the issue to Congress.
The "Resolution on E-Book Pricing for Libraries" was adopted and brought to the ALA Council by ASCGLA (the Association of Specialized, Government and Cooperative Library Agencies), a division of the ALA. The resolution references efforts in Canada to alert the public to the problems of licensing digital content from publishers, and proposes to create a new joint working group to more directly confront the issues in the U.S.
Amazon sells substantially more than half of the books in the United States, including new and used physical volumes as well as digital and audio formats. Amazon is also a platform for third-party sellers, a publisher, a printer, a self-publisher, a review hub, a textbook supplier and a distributor that now runs its own chain of brick-and-mortar stores.
But Amazon takes a hands-off approach to what goes on in its bookstore, never checking the authenticity, much less the quality, of what it sells. It does not oversee the sellers who have flocked to its site in any organized way.
That has resulted in a kind of lawlessness. Publishers, writers and groups such as the Authors Guild said counterfeiting of books on Amazon had surged. The company has been reactive rather than proactive in dealing with the issue, they said, often taking action only when a buyer complains. Many times, they added, there is nowhere to appeal and their only recourse is to integrate even more closely with Amazon...
Librarian of Congress Carla Hayden today announced the appointment of Joy Harjo as the nation's 23rd Poet Laureate Consultant in Poetry for 2019-2020. Harjo will take up her duties in the fall, opening the Library's annual literary season on Sept. 19 with a reading of her work in the Coolidge Auditorium.
Alan Brinkley, "one of the pre-eminent historians of his generation, with a specialty in 20th-century American political history," died June 16. He was 70. Brinkley's work "spanned the full spectrum of the last century's seminal events and influential characters, including the Great Depression and World War II, Franklin D. Roosevelt and John F. Kennedy."